Historical Mineral Pigments, Volume II
A special issue of Minerals (ISSN 2075-163X). This special issue belongs to the section "Crystallography and Physical Chemistry of Minerals & Nanominerals".
Deadline for manuscript submissions: 20 August 2024 | Viewed by 4232
Interests: cultural heritage; cleaning; consolidation; water-repelling; tempera paints; non-invasive techniques
Special Issues, Collections and Topics in MDPI journals
In recent decades, a great body of scientific articles has emerged in specialized literature addressing the chemical–mineralogical composition, and morphological and physical characterization of natural and (premodern) synthetic historical mineral pigments. These include metallic pigments and clay-based pigments, embedded in artistic paintings, glass, painted enamel, ceramics, textiles, beads, etc. Often, these studies are performed by interdisciplinary research teams with crucial contributions by experts from the areas of mineralogy, crystallography, and geochemistry to correctly address questions arising with regard to pigment source, pigment manufacturing process, interactions between pigments, and weathering mechanisms or lightfastness, among other inquiries, since formation and transformation of mineral phases are processes involved in the research. Such investigations will provide essential clues to unravel pigment technological achievements, dating, trade routes, or pigment fingerprints for author/region adscriptions, as well as offering information to optimize conservation and/or restoration strategies of painted or colored artworks.
However, more light needs to be shed on specific issues. Particularly in historic paintings, in-depth studies are required to focus on pigment–(organic) binder interaction under diverse exposure scenarios; (urban and marine) air pollution-induced weathering; mitigation protocols so as to retard the photodegradation of pigments contained in paintings; biodeterioration due to microorganisms or insect debris, as well as the impact of airborne organic particles; pigment susceptibility to weathering considering its morphology, associated impurities, and particle size, with special attention to the presence of nanoparticles; detailed characterization of carbon-, clay- and earth-pigments; radiation damage during analysis; effects of surface cleaning and protection treatments; and application of novel analytical methodologies based on hyphenated techniques that offer remarkable advantages in the analysis of complex paintings (hybrid composite materials). All of these topics are welcome to be tackled in this Special Issue.
Dr. Santiago Pozo-Antonio
Manuscript Submission Information
Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.
Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a single-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Minerals is an international peer-reviewed open access monthly journal published by MDPI.
Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 2400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.
- heritage science
- mineral pigments
- physical–chemical degradation
- protection treatments
- hyphenated analytical techniques
The below list represents only planned manuscripts. Some of these manuscripts have not been received by the Editorial Office yet. Papers submitted to MDPI journals are subject to peer-review.
1. Title: The Myrrhbearers wall painting and the Onion Dome decorations of the Holy Aedicule of the Holy Sepulchre in Jerusalem: Pigments and plasters analytical investigation
Authors: Ekaterini T. Delegou, Ioanna Ntoutsi, Maria Apostolopoulou, Antonia Moropoulou