Buddhist Art, Artifact and Culture Worldwide

A special issue of Religions (ISSN 2077-1444).

Deadline for manuscript submissions: 30 June 2024 | Viewed by 1357

Special Issue Editor


E-Mail Website
Guest Editor
Departments of Art & Asian Studies, St Olaf College, Northfield, MN 55057, USA
Interests: theoretical approaches to sacred sites both in whole and in part; the interplay of religious texts with visual representation and ritual practice

Special Issue Information

Dear Colleagues,

Current scholarly research is more often than not looking at Buddhism through the lens of various disciplines such as religious studies, art history, archaeology, and philosophy, with some works considering Buddhism through interdisciplinary methodologies that bring together elements from each. This Special Issue weaves yet another thread through this wonderfully complex pattern within Buddhist studies by looking at Buddhist visual culture globally as it manifests in various parts of the world both past and present. The goal of this Special Issue is to raise awareness of the breadth of Buddhism’s reach worldwide as well as the depth of what has been achieved in the form of related art, artifacts, and constructed spaces. Ideally, the topic will connect to bigger Buddhist paradigms in the textual or visual realms and demonstrate their interrelatedness across time and space, but manuscripts focusing on Buddhist works unique to a given area, specific time, or particular ritual context will also be considered, especially if they are dealing with areas of the world where Buddhism is less often given scholarly attention. 

Prior to submitting a manuscript, interested authors are encouraged to initially submit a proposed title and an abstract of 200–400 words summarizing their intended contribution. Please send it to the guest editor (kucera@stolaf.edu) or to the Religions editorial office (evelyn.zeng@mdpi.com). Abstracts will be reviewed by the guest editor for the purposes of ensuring proper fit within the scope of the Special Issue. Full manuscripts will undergo double-blind peer-review.

Prof. Dr. Karil J. Kucera
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Religions is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1800 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • Buddhism
  • global
  • worldwide
  • local
  • Buddhist art
  • Buddhist material culture
  • Buddhist artifacts
  • Buddhist sacred site
  • Buddhist constructed space
  • Buddhist architecture
  • pagoda
  • cave
  • temple
  • relic
  • sculpture
  • painting
  • print
  • image
  • icon
  • transnational exchange

Published Papers (1 paper)

Order results
Result details
Select all
Export citation of selected articles as:

Research

21 pages, 5792 KiB  
Article
Narrative Integration: An In-Depth Exploration of the “Buddha Story Stele” in the Maiji Mountain Grottoes
by Zejie Lin, Zhijun Li and Meizi Xie
Religions 2024, 15(3), 254; https://doi.org/10.3390/rel15030254 - 20 Feb 2024
Viewed by 757
Abstract
This research delves into the intricacies of the “Buddha Story Stele” in Cave 133 of the Maiji Mountain Grottoes, China, examining the sculptural combinations and conceptual nuances rooted in Buddhist culture from the 5th to the 6th centuries CE. The research focuses on [...] Read more.
This research delves into the intricacies of the “Buddha Story Stele” in Cave 133 of the Maiji Mountain Grottoes, China, examining the sculptural combinations and conceptual nuances rooted in Buddhist culture from the 5th to the 6th centuries CE. The research focuses on discerning the identities of the “Two Adjacent-Seated Buddhas” and the Cross-Legged Bodhisattva carved on the stele, concurrently delving into the embedded symbolic significance within its structural composition. Our investigation posits that the upper, middle, and lower segments of the “Buddha Story Stele” respectively symbolize the post-Nirvana Dharmakāya Shakyamuni, the Bodhisattva Shakyamuni, and the Buddha Shakyamuni of Sumedha. Advancing scholarly discourse, it reevaluates the Cross-Legged Bodhisattva’s identity and the configuration of the “Two Adjacent-Seated Buddhas”, elucidating the interplay of imagery and conceptual themes. This study provides pivotal insights into the sculptural arrangement and religious thought transmission in the Maiji Mountain Grottoes, contributing significant academic and cultural value to preserve this unique heritage. Full article
(This article belongs to the Special Issue Buddhist Art, Artifact and Culture Worldwide)
Show Figures

Figure 1

Back to TopTop