Heritage

The 3D digital reproduction of panel paintings is an efficient practice through which to document their state of conservation thanks to the ability to study artwork both at the microscopic level, visualising the craquelure and the detachments of pictorial layers, and at the macroscopic level, analysing support structures and their deformations. In recent years, research has focused on new methodologies to handle multiple 3D scans acquired over time and to achieve data fusion to obtain multi-resolution products. In this paper, we present the results of the acquisition of the central panel of an earthquake-damaged triptych using two different 3D techniques (close-range photogrammetry and structured light) before and after its restoration to carry out a multi-temporal analysis of the conservation status and document the effects of the restoration. Furthermore, we performed laser scanning micro-profilometry on a small area of the painting to study the artist’s technique and identify previous restorations. Finally, we merged the two 3D datasets (obtained by structured-light projection and micro-profilometry) to produce a multi-resolution 3D model with the aim of increasing the accuracy and readability of the final product. Full article

The accurate identification of pigments is of principal relevance in the field of cultural heritage conservation and restoration practices. In this preliminary study, a first attempt to set up a procedure for accurate red pigment identification, based on the assessment of the correlations existing between visible reflectance spectrometry (vis-RS) and Raman data, is presented. The proposed approach involved the realization of a library consisting of data acquired on a set of 35 pure red historical pigments supplied by ^©Kremer Pigmente. In particular, vis-RS data, collected through a Konica Minolta CM-2600d spectrophotometer, were registered, together with the position of the Extrema Points (E.P.s) encompassing both the maximum and minimum points of the first derivative of the % spectral reflectance factor (SRF%) curves. Portable Raman spectroscopy measurements were collected by a B&W Tek Inc. portable Raman spectrometer equipped with a 785 nm laser. For each tested pigment, the positions and relative intensities of the characteristic Raman peaks were considered. The library was then tested for the characterization of the red/reddish painted areas of the medieval wall painting located within The Norman Castle of Aci Castello (Catania, Italy), and was shown to be essential for the unambiguous identification of the pigment used. It is worth noting that this study represents the first novel attempt to establish a reliable and efficient methodology for pigment identification, offering promising prospects in reducing uncertainties and ambiguities arising from the application of a single stand-alone approach. Full article

This article presents the results of a topographical and analytical study using hh-XRF of 22 gold and gilded objects from the Archaeological and Historical Museum of A Coruña (Galicia, Spain). They are highly representative of the northwestern Iberian goldwork from the Chalcolithic (third millennium BC) to the early Roman period (first century AD). This study contributes to our knowledge of the production techniques used in those periods, as well as their evolution over time. The collection includes some of the most representative types in this area, such as Early Bronze Age “sheet collars” and torcs from the Second Iron Age. In the case of torcs, new data are provided on one of the formally best-documented types (the Artabrian type) and on those known as “Baroque torcs” that are characteristic of the final moments of this goldsmith tradition. While pieces from the Chalcolithic and Early Bronze Age were made with alluvial gold, the torcs from the Late Iron Age contain variable amounts of silver and copper. Also detected is the frequent use of cores made of less precious metals, which were subsequently given a golden appearance using gilding techniques. The new data are discussed in light of our current knowledge of NW Iberian goldwork, one of the most representative of this craft tradition in Western Europe for those periods. Full article

The recent upgrading of synchrotron radiation (SR) sources has favored, in the last few years, the construction and design of beamlines optimized for the study of cultural heritage materials, which may require ad hoc setups, specific spatial resolutions, and detection limits. In the field of cultural heritage, integrated approaches combining different techniques are often required, even at large facilities, where some beamlines offer the possibility of performing different types of measurements at the same point of analysis, complementing preliminary information usually obtained by conventional laboratory and/or portable in situ methods. An overview of the last ten years of synchrotron applications for the study of pigments is given, with discussion of upstream and downstream challenges to methods and techniques. The possibilities offered by the synchrotron techniques are illustrated by a case study of a particular class of painted ceramics, as an example of different research questions that are solved by a combination of SR-based methods. Full article

Khirbat Iskandar is an Early Bronze Age (ca. 3800-1950 BCE) mound in the Madaba Governorate of Jordan. Until a decade ago, it was better known as a key site for the non-urban Early Bronze IV period (ca. 2500-1950 BCE), but is increasingly emerging as a signature site for the urban Early Bronze II-III period (ca. 3050-2500 BCE). The contour of the tall site is shaped by the presence of buried fortifications that were investigated in the north-western sector of the mound, where a long sequence of rebuilds was recognized, but were exposed to and impacted by modern construction activities along the southern and south-eastern areas prior to being recorded. There, due to erosion and weathering, the stone fortifications dating to the first half of the Early Bronze III (ca. 2850-2650 BCE) fell down. In this paper, we report on our strategies to assess threats, document damages, sustainably stabilize, and consolidate the collapsed ancient fortifications in the 2023 field season at Khirbat Iskandar. At the same time, we discuss the conceptual/methodological and practical challenges of identifying best practices in the conservation and preservation of antiquities that collapsed prior to being excavated. We conclude with some thoughts on how to build on these actions to efficiently present the archaeology and cultural heritage at protohistoric sites, like Khirbat Iskandar, and to make it accessible for the local and the international communities. Full article

This article presents a bibliometric analysis conducted on the implementation of sensor-extracted data in the context of Historical Building Information Modeling (HBIM) with a focus on the conservation of heritage buildings. The study utilized recognized databases, namely, Web of Science (WoS) and Scopus. A bibliometric analysis methodology was applied, employing the VOSviewer 1.6.19 software. The results obtained provide a robust overview of the current state and trends in HBIM and sensor research and enabled the identification of emerging trends in the field of preventive conservation. Three promising trends were identified, establishing connections between this field and 4D spatial data management, energy performance, and artificial intelligence. Additionally, relations with climate change were also detected. These trends underscore a significant convergence of technologies and methodologies in the realm of heritage building conservation. The conclusions serve as a valuable contribution to guiding future research in the field of built heritage conservation. Full article

This paper presents an approach to teacher identity heritage as a result of the implementation of a research device created through Arts-Based Research (ABR) methods, specifically with video elicitation and video essays used as research tools. Two main objectives were addressed. The first one was to establish the real relevance of focusing performance on teacher identity. The second one involved testing a new methodological proposal specifically designed for this purpose, but still useful in other contexts where heritage identity is as present as in teaching. The device, a body camera, involves a process that allows new ways to understand the creation of identities using video to encourage the production of new meanings through visual and oral data. The participants were teachers in training during their internship period. Some notions about teachers’ identity heritage were revealed, and also preserved, firstly through personal perspectives by video elicitations, and secondly through collective perspectives by video essays. Both are video structures used in ABR which mix creative experience, memories, life experiences, relationships, and links that shape the teachers’ professional identity. Full article

The aim of this paper is to analyse facial similarity and apply it to identify the individuals depicted in the mural paintings of the apse of St. Leocadia Church, located in Chaves Municipality (North of Portugal), which were painted during the first quarter of the 16th century. This study also compares the portraits of this mural paintings with the oil paintings by the Proto-Renaissance Portuguese painter Nuno Gonçalves. Through this research, the feasibility of face recognition technology is explored to answer many ambiguities about Manueline stylistic identity and iconography. Additionally, it aims to associate historical events, artistic discoveries, and the expansion of portraiture as propaganda of power during the Portuguese Proto-Renaissance and Early Renaissance. On the other hand, it focuses on the prevalence of the religious and devotional over the sacred in Manueline painting. A proposal was made to identify the characters that are fundamental to the meaning of the mural paintings. An experiment was conducted on seven characters from the paintings at St. Leocadia Church, which were then compared to Nuno Gonçalves’ portraits. Facial similarity analysis was conducted on the faces portrayed in the Panels of St. Vincent, a remarkable portrait gallery from 15th-century Portugal, which has been the subject of national and international research for 130 years. Other paintings that were analysed were the oil paintings of St. Peter and St. Paul and of Infanta St. Joana, which were created by the same Quattrocento master. The purpose of the mural paintings of St. Leocadia Church could be catechetical in nature or related to the ritual practices of royal ancestor worship in royal portrait apses of the churches. It could also be associated with the Portuguese maritime expansion and the macro-imperial ideology of D. Manuel I. Full article

In 2011, a new approach was introduced into the management of heritage on Ilha de Moçambique by the UNESCO World Heritage Centre. Known as the Historic Urban Landscape (HUL) approach, this seeks to expand current understanding of the island’s historic urban heritage, recognising that ‘heritage’ is not limited solely to monuments or the built environment. Importantly, HUL incorporates urban sustainable development within the scope of heritage preservation. Given this, the adoption of the HUL approach has the potential to contribute to ensuring the authenticity and integrity of the built heritage, as prescribed by the 1972 UNESCO Convention, of Ilha de Moçambique, and effectively maintaining the Outstanding Universal Values that resulted in the declaration of the island as a UNESCO World Heritage Site in 1991. This paper discusses how local communities use the resources and heritage available to them and the central role of commerce, and the marketplace, in the heritage landscape of the island. A critical aspect of this is the sale of antiquities, including archaeological items, to tourists. Perspectives developed within the Rising from the Depths (RftD) network recently supported by the Arts and Humanities Research Council (AHRC) UK, with funding from the Global Challenges Research Fund (GCRF), offer positive alternative solutions to overcome this challenging situation. In particular, the network sought to identify how the tangible submerged and coastal Marine Cultural Heritage (MCH) of Kenya, Tanzania, Mozambique, and Madagascar, and its associated intangible aspects, can be utilised to stimulate ethical, inclusive, and sustainable economic growth in the region. Our paper demonstrates how the implementation of the RftD initiative when combined with the HUL approach can help to increase awareness among communities on Ilha de Moçambique about the relevance of their heritage and the need for preserving it while meeting everyday needs. Full article

This article reviews the research recently undertaken to characterise and identify early synthetic dyes (ESDs) and synthetic organic pigments (SOPs) as well as study their degradation pathways with a focus on cultural heritage applications. Since the invention of the first fully synthetic dye in 1856, these materials have been used in a variety of historic objects and artworks, such as textiles, furniture, prints, paintings, drawings, etc. The synthesis of new dyes and their implementation into pigment formulations were rapid phenomena, so that by the beginning of the 20th century, thousands of new molecules were patented and commercialised. This review will focus on these early formulations synthesised up to approximately 1914 and the outbreak of World War I. ESDs and SOPs represent a challenge from an analytical point of view. Molecular databases are fundamental for the unequivocal identification of these compounds, but reference materials are not always readily available. A combination of analytical techniques is often needed for characterisation, especially in the case of SOPs, which have both organic and inorganic components. Furthermore, the degradation of these molecules can jeopardise their detection in historic objects that have been exposed to light, humidity and temperature fluctuations. Nevertheless, ESDs and SOPs are important research tools. As the dates of their first synthesis are often known with precision, based on patent information, their detection can be used to refine the production date of objects. Additionally, their trade from Europe to the world and their adoption in artistic practices around the globe is an active area of research. Full article

Development of the continental shelf has accelerated significantly as nations around the world seek to harness offshore renewable energy. Many areas marked for development align with submerged palaeolandscapes. Poorly understood and difficult to protect, these vulnerable, prehistoric landscapes provide specific challenges for heritage management. Indeed, there now appears to be a schism between what underwater cultural heritage policy intends and what it is achieving in practice. Shortcomings in international and national legislature ensures that large parts of the continental shelf, including areas under development, may have little or no legal protection. Increasingly impacted by extensive development, these unique cultural landscapes are ever more at risk. However, heritage challenges posed by such development also create opportunities. An immense amount of data is being generated by development, and there is an opportunity to establish broader cooperative relationships involving industrial stakeholders, national curators, government bodies, and heritage professionals. As a matter of urgency, the archaeological community must better engage with the offshore sector and development process. If achieved, we may revolutionise our knowledge of submerged prehistoric settlement and land use. Otherwise, our capacity to reconstruct prehistoric settlement patterns, learn from past climate change, or simply manage what are among the best-preserved postglacial landscapes globally may be irreparably undermined. Full article

Ultrahigh performance liquid chromatography coupled to tandem mass spectrometry (UHPLC-MS/MS) was used to analyze a colorant and silk, which were prepared and dyed using shellfish (Hexaplex trunculus L.) purple. Solutions of colorant and silk extracts were analyzed immediately after preparation (fresh samples) and after storing them in the dark for thirty days (aged sample I). Moreover, a silk sample was subjected to artificially accelerated ageing under UV radiation (aged sample II). The application of the UHPLC-MS/MS method leads to the detection of (i) the major coloring components of shellfish purple, which are indigotin, indirubin, 6-bromoindigotin, 6′-bromoindirubin, 6-bromoindirubin, 6,6′-dibromoindigotin, 6,6′-dibromoindirubin; (ii) four minor indigoid components in shellfish purple (compounds A, B, C and D), which belong to the same structural class as indirubin, and whose identification has been reported only once in the past; and (iii) eight degradation products (isatin, degradation products DP3, DP4, DP5, DP6, DP7, DP9 and DP10). The latter were also detected in stored indigotin solution, except for DP 6, which was used as reference sample. The method development was assisted by a new solution preparation approach for investigating compound fragmentation, using a solvent system compatible with direct infusion ESI. This system replaceddimethyl sulfoxide, which inhibits detection through electrospray ionization. Full article

The present paper aims to study the Wachau Valley in Austria as a representative Cultural Landscape under threat from extreme hydrometeorological hazards linked to climate change. The primary objective is to investigate the impacts and assess the vulnerability associated with the events of heavy rain and flooding. The methodology employed consists of an investigation of recorded past events impacting the Wachau; a vulnerability ranking system; a climate time series analysis based on earth observation products; and future hazard maps at territorial level, developed with outputs from regional and global climate models. The investigation we carried out provides a vulnerability assessment of two terraced areas with a surface of about 10,000 m² in total, characterized by the presence of dry stone walls, with different state of conservation in the Municipality of Krems (Wachau). In addition, climate projections at territorial level for the extreme climate indices R20mm, R95pTOT, and R×5day—selected for investigating the likelihood of increases/decreases in events of heavy rain and large basin flooding—are provided, with a spatial resolution of ~12 km for the near and far future (2021–2050; 2071–2100) under stabilizing (RCP 4.5) and pessimistic (RCP 8.5) scenarios. The results indicate a general increase for the three indices in the studied areas during the far future under the pessimistic scenario, suggesting a heightened risk of heavy rain and flooding. These findings aim to inform policymakers and decision-makers in their development of strategies for safeguarding cultural heritage. Furthermore, they serve to assist local stakeholders in enhancing their understanding of prioritizing interventions related to preparedness, emergency response, and recovery. Full article

The research problems addressed in this article pertain to the limited understanding and insufficient availability of digital storytelling guidelines for elderly and physically impaired individuals in museum presentations. The objective of this review is to explore digital storytelling guidelines along with the latest technology in museums catering to older adults and those with mobility impairments. This literature review included databases such as Scopus, ScienceDirect, and Google Scholar, covering the period from 2000 to 2023. Researchers comprehensively examined and employed content analysis to categorize all papers into three primary themes: (1) inclusive design for museum presentations; (2) trends in technology for digital storytelling in museum presentations; (3) guidelines for digital storytelling in museum presentations. This review article could enhance understanding and promote diversity, accessibility, and motivation among two specific groups of museum visitors, both onsite and online. Full article

Virtual reality (VR) is increasingly employed in various domains, notably enhancing learning and experiences in cultural heritage (CH). This study examines the effects of gamified and non-gamified VR experiences within virtual museum environments, highlighting the concept of a digital twin and its focus on cultural heritage. It explores how these VR modalities affect visitor motivation, engagement, and learning outcomes. For this purpose, two versions were developed: a gamified virtual reality version incorporating interactive gaming elements like achievements, profiles, leaderboards, and quizzes and a non-gamified virtual reality version devoid of these elements. This study, using an experimental design with 76 participants (38 in each group for the gamified and non-gamified experiences), leverages the Wieng Yong House Museum’s digital twin and its fabric collection to assess the educational and experiential quality of virtual museum visits. The findings indicate that while gamification significantly boosts the reward dimension of visitor engagement, its influence is most pronounced in the effort dimension of motivation; however, its impact on learning outcomes is less marked. These insights are instrumental for integrating VR and gamification into museum environments. Full article

In the conservation of monumental heritage, the collection and utilization of information are of primary importance. The Heritage Building Information Modeling (HBIM) procedure harnesses the potential of three-dimensional models, offering significant advantages in accessing documentation, interoperability, multidimensionality of intervention design, cost evaluation, and maintenance management. Our attention here is focused on the Certosa di Pisa (Italy), a large historical complex built in the 14th century as a monastery of the Carthusian Order, currently in a state of deterioration and in need of restoration and re-functionalization. The multifaceted nature of this monumental complex, with its intricate interplay of architectural elements spanning different historical periods and featuring diverse techniques, poses a significant challenge for structural safety assessment. This case study presents an opportunity to explore an HBIM approach to streamline the diagnostic process and facilitate the intervention design phase. The goal is achieved by utilizing an accurate 3D model enriched with data from multiple sources and automating certain operations for a simplified safety assessment of masonry structures under both gravity and seismic loads. The usefulness of the HBIM methodology is highlighted as a valuable tool in the realm of cultural heritage structures for both practitioners and scholars alike. Full article

Strategies for the adaptive reuse of vernacular architecture are of utmost importance in the current context of social, economic, and environmental vulnerability. This article examines the design strategies of adaptive reuse in three cases of renowned architects of the so-called School of Porto developed across the second half of the 20th century, specifically between 1956 and 1991. The paper aims to introduce a new and deeper knowledge of the selected practices by critically documenting the whole process of the intervention (before, during, after) and not only the final result, as is common practice in specialized publications. The research methodology combines the bibliographical and archival research and interpretation of diverse graphic, photographic, and textual documentation with the production of analytical drawings. The demolitions/additions color code (black/yellow/red) is applied to plans, sections, and elevations as an essential tool for understanding and communicating the transformations undertaken. The selected case studies are Além House (1956–1967) by Fernando Távora, Alcino Cardoso House (1971–1973; 1988–1991) by Álvaro Siza, and the House in Gerês (1980–1982) by Eduardo Souto de Moura. These projects show different strategies of intervention in built heritage, providing lessons on the reactivation of obsolete or abandoned rural constructions with new functions that are compatible with the preservation of their values (historical, landscape, constructive, social, and aesthetic) and guidelines for sustainable reuse. Full article

Pilgrimage tourism, among the earliest forms of tourism with a tradition spanning centuries, stands as a steadfast global attraction. This article delves into the significance, diversity, and historical roots of this tourism type, recognizing the contemporary surge in interest in pilgrimage sites. Offering an overview of globally prominent pilgrimage destinations and highlighting key locations in Slovakia, the article emphasizes the country’s considerable potential for the utilization and development of these sacred sites, despite its compact size. It stresses the need to foster this historically significant tourism sector and the necessity for attention and support from the government sector to maximize its potential. The relevance of pilgrimage became particularly apparent during the COVID-19 pandemic, with observable visitor participation despite challenging conditions at various pilgrimage sites. The article examines the pilgrimage’s evolution before, during, and after the pandemic, using Levoča and Šaštín in Slovakia as illustrative cases. One of the main objectives of this study was to clarify the development of pilgrimage tourism in Slovakia over the past decades and the factors influencing it. The attendance analysis unmistakably reveals a significant upward trend at these specific locations, emphasizing the need to establish collaborative efforts to support this sector. Such collaboration is crucial for ensuring the sustainability of historically significant sites, fostering local development, and increasing the visibility of less-visited pilgrimage destinations. Full article