Reprint

Religion and Art in the Renaissance

Edited by
October 2022
230 pages
  • ISBN978-3-0365-5449-5 (Hardback)
  • ISBN978-3-0365-5450-1 (PDF)

This book is a reprint of the Special Issue Religion and Art in the Renaissance that was published in

Social Sciences, Arts & Humanities
Summary

This Special Issue focuses on intersections of religious faith and artistic production during the Renaissance. Its temporal scope is 1300-1700, or the Renaissance period, as it is broadly defined. Its geographical scope is Europe and European colonies that participated in Renaissance artistic trends or movements. The Special Issue deepens and broadens our understanding of how images impact faith and in turn faith finds expression in images. It is interdisciplinary in nature, bringing together into one volume some of the most recent work by scholars in iconography, art history and religious studies.

Format
  • Hardback
License
© 2022 by the authors; CC BY-NC-ND license
Keywords
Devotional Art; Reform of Art; Early Modern and Italian Renaissance Art; Andrea della Robbia; Franciscan; La Verna; altarpiece; Incarnation; inscriptions; colonial art; Indo-Portuguese art; South India; hybridity; Goan art; Saint Agnes of Bohemia; Convent of Saint Agnes; Přemyslid dynasty; Prague; Master Theodoric; the Master of Vyšši Brod; Master of the Třeboň Altarpiece; Medieval and Renaissance Art of Central Europe; Mary Magdalene; Virgin Mary; soul; Transit; Dormition; Catalonia; Crown of Aragon; Bernat Martorell; Jaume Huguet; altarpieces; humility; virtue; virgin; allegory; iconography; Christ; crucifixion nail; biblical bronze serpent; Saint John of God; auto-da-fé; last judgement; Philip IV of Spain; martyrs of Japan; purgatory; Alardo de Pompa; Fosmas; Quart; Abraham; Hagar; Ishmael; iconographic type; Christian iconography; the banishment of Hagar and Ishmael; musical epigraphy; Cristóbal de Morales; Salve Regina; white mensural notation; heritage; Madonna lactans; misogyny; Corbacho; breastfeeding; Bernard of Clairvaux