Literature, Volume 2, Issue 4 (December 2022) – 16 articles

In this article I argue that Helen of Troy in Thomas Heywood’s The Iron Age I & II can be read as a figure for Elizabeth I during her final decade. Heywood appropriates multiple sources to emphasise images of age, decay and death which connect Helen and Elizabeth by evoking concerns that were prevalent as the Queen aged. Whether we date the plays as late Elizabethan or early Jacobean, Heywood was writing at a time when people were thinking (in anticipation or retrospection) about Elizabeth’s death and the end of the Tudor line. In The Iron Age II, Heywood shows Helen lament the loss of her fabled beauty when she gazes into a mirror and sees an aged face that resembles Elizabeth’s. With her despair compounded by her guilt over the Trojan War, Helen turns to suicide and Heywood ends the entire Age pentalogy with a glance to the succession. Ultimately, in his treatment of Helen, Heywood subversively brings to centre stage images that Elizabeth (and her government) had tried to quash and opens up new forums for political commentary at London’s popular theatres. Full article

This article aims to examine one of the myths belonging to the first part of Nonnus’ Dionysiaca, i.e., that of Io. Starting from the philological analysis of the passages dealing with this myth and adopting an intertextual approach, I will argue that the Panopolitan assimilates Io to Isis following Lycophron, one of the authors employed as a model in his poem. Finally, I will also explain the meaning of this choice inside Nonnus’ work, taking into account its historical context. Nonnus wants to emphasize the role of Dionysus’ lineage in the civilization process, giving it an historical relevance. Therefore, the allusion to Lycophron assimilates Cadmus (Dionysus’ grandfather) to Alexander the Great, who is celebrated as a peacemaker in the Alexandra. Furthermore, Cadmus and his offspring can be connected to the Romans, who, at the time of Nonnus, played the same role in the rising Byzantine empire. Full article

This brief study addresses the controversial issue of the relationship with the body, with the flesh, on the part of pagan and Christian thinkers at a particularly important point in their evolution, in the late fourth and early fifth centuries, a time in which Neoplatonic thinkers had to defend their doctrinal positions against the increasingly hegemonic position of the triumphant Christianity. In this sense, it is particularly interesting to approach the perspective of two authors who are not strictly speaking philosophers: in particular, Synesius of Cyrene, a thinker in the Neoplatonic tradition who became a Christian bishop, complemented also by some interesting reflections by Eunapius of Sardis, historian and biographer of Neoplatonic philosophers. In the light of this analysis, it becomes clear that the discussion on the value of the body and carnality is an essential point of doctrinal discrepancy in this period and, contrary to what sometimes appears, the discrepancy also pertains to the formation of the intellectual, and Christianity clearly appears as a doctrine obsessed with the flesh to the detriment of the soul. Full article

Japanese American writer Karen Tei Yamashita’s first novel, Through the Arc of the Rainforest (1990), portrays protagonist Kazumasa Ishimaru as “a Japanese Santa Claus”, depicted as having a plastic ball spinning in front of his face. Yamashita presents this magic realist hero as a satire of Japan in the 1990s, which became the developed nation needed to support the developing world under the new Marshall Plan. Focusing on Kazumaza’s participation in charity, this essay explores the gift economy embodied by this Japanese immigrant character. Inspired by Claude Lévi-Strauss’s 1952 essay “Burned-out Santa Claus”, Kazumasa’s Nikkei subject position not only criticizes American capitalism but also Brazil’s postcolonial mentality. Supporting the idea that Lévi-Strauss sympathizes with Jean-Jacques Rousseau’s concept of innocence, the last part of the essay probes the idea of Kazumasa as an innocent subject who challenges the dichotomy between American capitalism and postcolonial Brazil. Full article

The study of periautologia (“self-praise”) in Ancient Greek literature has been somehow overlooked even though its presence is felt in numerous works. The absence of the analysis of periautologia is even more remarkable in the case of the works composed by the sophist Libanius of Antioch given the autobiographical nature of most of his speeches. Thus, in this paper I surveyed the use and the purposes of periautologia in one of his speeches—Or. 2, To those who called him tiresome—in order to ascertain which rhetorical and literary strategies were deployed by Libanius. The sophist’s concern with losing his influence in the cultural and political milieu of the end of the fourth century AD contributes to explain the frequent use of periautological passages in his Or. 2. Full article

This article shows how temporal disorder diffuses into the wildernesses within early modern English drama. Those areas beyond the walls of cities and castles in—among other plays—The Two Gentlemen of Verona, Titus Andronicus, Romeo and Juliet, and Macbeth thus flit free from the temporal rules that construct a play’s quotidian world, and the conspicuous partitions that enclose an otherworld in medieval iconography no longer seem clear within them. I argue that these spaces enact an unfamiliar and chaotic ‘otherworld’ within quotidian space, and characters’ ventures into these outer regions at certain points resemble movements into an ‘afterlife’. Journeys into a wilderness, then, parallel a shift from one temporal sphere to another, and characters encounter a post-death state of being within the play’s present. Full article

Shakespeare’s treatment of Richard III has long been the cause of debates about Tudor defamations of the last Yorkist king. Within this context, some attention has been paid to the play’s extreme compression of events that in fact took place over a period of seven years, from the death of George, Duke of Clarence in 1478 to the Battle of Bosworth Field in 1485. This study investigates the momentum of events to gauge the extent to which the representation of Richard does paint him in an entirely negative light. Detailed analysis of the timeline demonstrates that the way the play re-structures historical moments is designed to foreground not only the figure of Richard himself, with all its attendant associations, but also the very methods used to concentrate attention upon him. The self-referential nature of the play’s relationship to history points to its own constructions, foregrounding the techniques used to show not only the legend of Richard, but how it is elaborated. The play therefore draws attention to its own manipulation of events, which in turn makes any assumptions about its representation of Richard as villain open to question. Full article

Citizenship is popularly associated with able-bodiedness, both physically and cognitively. However, disability studies over the last few decades has revealed the extent to which the idea of the nation as composed of able-bodied constituents is little more than fantasy, one that can create or galvanize barriers to full political and social participation. Part of this task has involved re-evaluating key works of canonical literature through the lens of disability. In the following paper, I apply this approach to Samuel Beckett’s Waiting for Godot and argue that Beckett’s play disrupts not just the fantasy of a nation composed of able-bodied citizens but the language of able-bodiedness itself, which has implications for how we conceive of citizenship and participatory politics. While impairment has been critiqued in Beckett before, the extensive examples of pained and impaired characters in his works have often been subsumed under broader philosophical themes, such as existentialism, nihilism, or Cartesian dualism, and rarely linked to issues of citizenship, politics, or the social and built environment. I explore how Beckett’s approach to theatrical and linguistic performativity contributes to how he staged the experience of pain and disability that has implications for how we conceive of and practice citizenship. Full article

Yamashita’s use of mythic verism in Tropic of Orange and a reimagined doppelgänger trope in I Hotel depicts the ir/real nature of the taxonomy of identity and of Asian America and other minority groups being constituted in and beyond the mainstream or conventional understanding of the idea of America and of the identity of the US nation-state as being built upon discursive technologies of amnesia and misinterpellation of the subject of US history and its Other. Full article

In Tropic of Orange (1997), Karen Tei Yamashita uses literary imagination to challenge the settler-colonial discourse on space and time in the Americas. The influence of Latin American magical realism on Yamashita is most pronounced in the orange, a nonhuman object imbued with human agency. The orange magically initiates cross-border movements of people that disrupt the binaries of local/global, East/West, and North/South, challenging the unequal distribution of freedom of movement across the globe. In this paper, I engage with Wai-Chee Dimock’s concept of “deep time” to discuss the temporality of such border crossings. I propose that the cyclicality symbolized by the orange provides an alternative to linear settler-colonial management of spacetime. Full article

This paper addresses the commodification of the human experience in late capitalism as depicted in William Gibson’s novel Pattern Recognition and the potential of technology in helping the human subject in evading commodification. The novel shows how the virtual world and the physical world can become mutually supportive in allowing the characters to search for meaning, pattern and wholeness by using technology as an empowering force for the human subject while managing to avoid being consumed by a powerful capitalist market. The novel’s protagonist’s success in using technology as a humanizing force proves that humans can thrive within its sphere without necessarily being absorbed or overwhelmed by it. Full article

The literary topic of Siamese twins is not unfamiliar. American literary history tells us of the genealogy from Mark Twain’s pseudo-antebellum story The Tragedy of Pudd’nhead Wilson and the Comedy Those Extraordinary Twins (1894), Karen Tei Yamashita’s postmodern metafiction “Siamese Twins and Mongoloids: Cultural Appropriation and the Deconstruction of Stereotype via the Absurdity of Metaphor” (1999), down to Shelley Jackson’s James Tiptree, Jr. award winner Half-Life (2006). Rereading these works, we are easily invited to notice the political unconscious hidden deep within each plot: Twain’s selection of the Italian Siamese twins based upon Chang and Eng Bunker, antebellum stars of the Barnum Museum, cannot help but recall the ideal of the post-Civil War world uniting the North and the South; Yamashita’s figure of the conjoined twins Heco and Okada derives from Hikozo Hamada, an antebellum Japanese who made every effort to empower the bond between Japan and the United States, and John Okada, the Japanese American writer well known for his masterpiece No No Boy (1957); and Jackson’s characterization of the female conjoined twins Nora and Blanche Olney represents a new civil rights movement in the post-Cold War age in the near future, establishing a close friendship between the humans and the post-humans. This literary and cultural context should convince us that Yamashita’s short story “Siamese Twins and Mongoloids” serves as a kind of singularity point between realist twins and magic realist twins. Influenced by Twain’s twins, Yamashita paves the way for the re-figuration of the conjoined twins not only as tragi-comical freaks in the Gilded Age but also as representative men of magic realist America in our Multiculturalist Age. A Close reading of this metafiction composed in a way reminiscent of Jorge Luis Borges, Stanislaw Lem and Bruce Sterling will enable us to rediscover not only the role conjoined twins played in cultural history, but also the reason why Yamashita had to feature them once again in her novel I Hotel (2010) whose plot centers around the Asian American civil rights movement between the 1960s and the 1970s. Accordingly, an Asian American magic realist perspective will clarify the way Yamashita positioned the figure of Siamese Twins as representing legal and political double standards, and the way the catachresis of Siamese Twins came to be naturalized, questioned and dismissed in American literary history from the 19th century through the 21st century. Full article

Recent studies of the conceptualization of the Devil in the early modern period have pointed to the shifting theological and philosophical coordinates, which made possible a diverse spectrum of representation of diabolical evil—from Francis Bacon’s naturalistic scepticism to King James’s supernatural demonology. Shakespeare has always been central to this discussion but has not yet been placed in a contextual frame that incorporates the rise of scholarly interest in the diabolical. This article interprets Shakespeare’s representation of diabolical evil in Hamlet (1601), Othello (1603), Measure for Measure (1604) and Macbeth (1606) as constituted by a complex tension between natural and supernatural ideas about the origin of evil. Drawing on a raft of recent scholarship on representations of witchcraft and devils in the period, I show that diabolical figures in the universe of Shakespeare during the period of great tragedies between 1601 to 1606 exist in two modes of representation: as a persistent magical ambience and as a localized agent. Ambivalence is expressed in the hesitation between these opposing theological modes and is evident in the way that the Devil’s material agency is obscured and left unresolved. Viewing this through the lens of the fantastic as an ontological uncertainty that results in epistemological hesitation helps us to frame Shakespeare’s ambivalence, which at least in part originates in the ambivalent theology of Calvin. The analysis thereby positions hesitation and diabolic temptation in line with Calvin’s theology and shows how Calvin’s framework of secular evil presents an intellectual context through which Shakespeare’s ambiguity can be understood in theological terms. Full article

Mao Dun’s (茅盾) 1932 short story “Spring Silkworms” (春蚕), the first of a three-part series known as the Village Trilogy, is widely regarded as one of the author’s most representative works. Given Mao Dun’s leftist politics and commitment to critical realism, the story has generated debate over its depiction of the Chinese peasantry and the extent to which it condemns tradition in support of revolutionary progress. This article contends that the key to the ambiguity of the peasants’ depiction lies in the fundamental questioning of what is human, which underlies the story’s overall ideological framework. Through a close examination of the story and its 1933 film adaptation, the article aims to show how the silkworms act as a metaphor for the villagers themselves, who are dehumanized through their helplessness and alienated labor. By reading the human villagers as metaphorical worms, the article demonstrates how they are both exposed as a kind of valueless “bare life” and situated in a narrative pause in historical materialist time, which indicates a space for the potential fundamental reconceptualization of the human. Ultimately, the article hopes to push beyond didactic readings of the story’s politics to reveal an ontological anxiety at its core. Full article

This essay explores Michel Serres’s “poetic dream of another epistemology” connected to an anti-Cartesian, sensorial view of knowledge. The philosopher alludes to empirical studies from the field of cognitive neuroscience, which have demonstrated that the mind and body are interwoven as part of one integrated entity, in order to propose an alternative epistemological framework for (re-) envisioning the nature of knowledge. The philosopher’s rehabilitation of our senses illustrates that our body is replete with overlapping epistemological channels that bifurcate in all directions. Serres explains how somatic encounters with the universe enable us to constitute a stable sense of self in relation to the larger world. However, he recognizes that there are a plethora of obstacles standing in the way of allowing his epistemological dream to come to fruition. In what he refers to as the Exo-Darwinian, hominescent era, the (post-) modern, urbanized lifestyle affords very little contact with the remainder of the planet. Moreover, Serres laments how climate change has already forever eradicated spaces of meaning that are indispensable as part of an epistemological quest of knowing what and who we are as planetary beings. Full article

Inspired by Terry Newman’s literary and sartorial analysis of writers in her book Legendary Authors and the Clothes They Wore, I analyze James Baldwin’s literary and sartorial style using excerpts from his works and archival photography. I also add a signifier/signified analysis using social semiotic theory. According to De Saussure, there are two main parts to any sign, the signifier, which connotes any material thing, and the signified, which is the meaning that is made of that thing by the receiver. Social semiotics changes the focus from the sign to the way people use semiotic resources to produce communicative artifacts, collectively. In the semiotic tradition, I extend the literary text (Go Tell it on the Mountain, Another Country, and Just Above My Head) to a larger reading of the culture in which it was created and to the more universal structures that are inherent within it. Clothing is also considered a critical semiotic resource because it is viewed as a sign that signifies a particular meaning. In my analysis, I illuminate how Baldwin’s sartorial style is a mirror (signifier) to reflect his literary style and reflects the creative and spiritual (signified) essence of his work, connected to and with collective Black narratives of style. Full article